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	Title:	Description:

401.	[Bookplate for Jonathon H. Magor]	Black ink on white coated paper. This bookplate depicts the couped head of a greyhound with two collars above a straight wreath.

402.	[Bookplate for Jos-N. Chaussé M.D.]	Black ink on cream paper. An oval border with decoration at the top and bottom surrounds an illustration of a naked female figure whose arms are turning into tree branches, referencing Daphne of Greek mythology. The women’s tree branch arms extend beyond the oval border. She is looking to her left with a laurel crown on other head tied with ribbons while her long black hair flows past her right shoulder. A long, curling ribbon wraps around her back upper body, across her torso, and then back around her legs. Text is printed on the ribbon in bold, black, capitalized, serif font. The woman stands with her ankles crossed and is wearing strappy open-toe flat shoes. She stands in front of an open book. In the top left corner of the left page are initials printed in capitalized, stylized, block font. The woman also stands atop of a closed book, with its pages facing the viewer. In the bottom left and right corners of the bookplate, text is printed in various stylized black fonts.

403.	[Bookplate for Joseph Bemrose]	In black ink on tan paper, a simple gold border frames a light pastel-green crosshatched background.

404.	[Bookplate for Joseph Edgar Guimont by Chalifour Ltée Journal “Le Nord”]	Blue ink on cream paper. Capitalized, block, sans-serif letters are printed at the top of the bookplate. Below the text is gothic font in sentence case with a thin blue line framing it atop and below. In the center of the bookplate is an image of a right hand reaching out of a cloud to pour oil into an oil lamp with the flame burning. The lamp is elaborately decorated with floral and curlicue embellishments. The lamp sits atop a closed book with the spine facing out. The cloud extends behind the lamp and book as well. A thin blue line separates the image from sentence-case serif font and another thin blue line is below that text. Below the line is thin italicized font and a dotted line. At the bottom of the bookplate is a thin blue line directly above some smaller, sentence-case serif blue font.

405.	[Bookplate for Joseph-Olivier Archambault]	In black ink on yellow paper. A decorative border with integrated flowers and ornamentation in corners surrounds the text.

406.	[Bookplate for K. H. Ingalls by Ralph Fletcher Seymour]	A portrait bookplate with a multiple black fillet border surrounding the central images used in the bookplate. The bookplate has all 12 images of the zodiac held in small circles surrounding the periphery of the central image. At the top and bottom left and right hand corners of the image are images of vines. Central to the bookplate is the image of a wicker chair held in the bottom left hand corner next to several books sitting on a reading table. The chair is facing a brick fireplace against the far wall above which are the word "BIDE-A-WHILE". In front of the fireplace is a bear skin rug. A highbacked wooden bench with three books on it sits off on the adjacent wall to the left of the image. A similar bench sits to the right of the fireplace. A clock and several other knickknacks sit on the mantelpiece above the fireplace.

407.	[Bookplate for K. M. Fenwick]	Blue ink on cream paper. A printed ribbon border houses the name of the owner and the number and volume entries. Both the number and volume are handwritten in black ink.

408.	[Bookplate for K. M. Fenwick]	Black ink on grey paper. A border of four curlicue lines houses the name of the owner and the number and volume entries. Both the number and volume are handwritten in black ink.

409.	[Bookplate for K. M. Fenwick]	Black ink on brown paper. A border depicting wooden beams with vines growing on them houses the name of the owner and the number and volume entries. Beneath the name of the owner is a short horizontal dividing line. Both the number and volume are handwritten in black ink.

410.	[Bookplate for K. M. Fenwick]	Black ink on grey paper. A border of four curlicue lines houses the name of the owner and the number and volume entries. Both the number and volume are handwritten in black ink.

411.	[Bookplate for Karen Caussen]	Bookplate design consists of a heraldry-inspired design: an escutcheon, charged with a sheep passant and three bees at chief. Above the escutcheon is a straight wreath charged with a beehive. Below escutcheon is a banner containing Latin motto.

412.	[Bookplate for Karl Hermann and Michael B. Kunze]	In black ink on white coated paper, an image of a farmer's field. A farmer strolls away from the observer spreading seed from a side-bag. In the distance is what appears to be a town and a church steeple which is framed by radiating sunlight. In the sky above is a bird, possibly a dove. To the right of the field is a road lined with narrow trees and farmhouse situated at the base of a hill, on which possibly sits a castle. In the foreground is a piece of farming equipment and foliage frames the german expression "Und Erliches fiel aut ein gutes Land". The entire image is framed by a shaded border, rounded at the top.

413.	[Bookplate for Kathleen Reit and Francis Reit]	This bookplate's design features a devil-like figure reading a book beneath a tree, by a brook.

414.	[Bookplate for Kener E. Bond]	This bookplate design features a navy sailor holding a rifle, with the guns of a battleship in the background.

415.	[Bookplate for Kennedy McIlwraith]	Black ink on white paper. The image depicts the main entrance to University College at the University of Toronto.

416.	[Bookplate for Kornel D. Schelling and J. E. Horvath by Tibor Bottlik]	Black ink on cream paper. An old nude man stands at the edge of a pond fishing out a basket of books.

417.	[Bookplate for L. Farkas and J. E. Horvath by K. J.]	Line drawing done in black ink on tan paper. Two plant pots with thorny vines at the at bottom of the image, one is standing and one is laying down. The vine from the standing pot, a rose vine, extends to the upper edge where it forms a frame around an open book with the letters A B C and children toys. The middle of the drawing displays a book with a rosary and flowers behind it. The text starts above the flowers, continues between the book and the plant pots, ending under the plant pots. A small round seal with the initals RS is displayed at the bottom left corner of te bookplate.

418.	[Bookplate for L. M. Stauffer by Stanley Harrod]	In black ink on white paper, this bookplate consists of a shield or escutcheon Argent (silver). On dexter side, a twelve-point etoile. On sinister side, a dexter arm holding a cup. A trefoil Argent protrudes from the middle base of the escutcheon. The front facing, barred helm bears the crest of a bearded man from the waist up holding a cup in his right hand. The helm is surrounded by mantling. Below the escutcheon, a banner bears the text 'S H / L. M. Stauffer / 1917'.

419.	[Bookplate for L’Institut Canadien]	Printed in black ink, a thick decorative border surrounds the text.

420.	[Bookplate for Lachlan Gibb]	In black ink. This bookplate's design features an escutcheon with or (gold), azure (blue), and sable (black) designs, parted per cross and charged at the fess point with an additional coat of arms. The escutcheon is outlined by an ornate border and situated in the center of a rectangular frame, divided into quadrants. These sections feature a domed building, topped with a cross, a ship, three battle-axes and three beavers, respectively. The originator's Latin motto and name appear along the base of the frame. Above the rectangular design are two straight wreaths charged with a dexter arm vambraced couped, holding aloft a battle-axe and an eagle bearing a tilting spear.

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